Skip to main content
Venice 2014



Allerston, Patricia. “Wedding Finery in Sixteenth-Century Venice” in Marriage in Italy 1300-1650. ed. Trevor Dean and K.J.P. Lowe (Cambridge: Cambridge University Press, 1998)

Aretino, Pietro. Aretino’s Dialogues. trans. Raymond Rosenthal (New York: Stein and Day, 1972)

Aretino, Pietro. The Works of Pietro Aretino. trans. Samuel Putnam (Chicago: Pascal Covici, 1926)

Bestor, Jane Fair. "Titian's portrait of Laura Eustochia: the decorum of female beauty and the motif of the black page." in Renaissance Studies.vol. 17 no. 4 (2003): 628-673

Brown, David Alan and Sylvia Ferino-Pagden. Bellini, Giorgione, Titian and the Renaissance of venetian Painting. (New Haven: Yale University Press, 2006)

Campbell, Lorne. Renaissance Portraits: European Portrait Painting in the 14th, 15th and 16th centuries. (New Haven, CT: Yale University Press, 1990).

Campbell, Lorne, Miguel Falomir, Jennifer Fletcher, and Luke Syson. Renaissance Faces: Van Eyck to Titian. (London: National Gallery Company Ltd., 2008).

Chojnacki, Stanley. “Nobility, Women and the State: Marriage Regulation in Venice, 1420-1535” in Marriage in Italy 1300-1650. ed. Trevor Dean and K.J.P. Lowe (Cambridge: Cambridge University Press, 1998)

Cole, Bruce. Titian and Venetian Painting 1450-1590. (Boulder, CO: Westview Press, 1999)

Cranston, Jodi. The Poetics of Portraiture in the Italian Renaissance. (Cambridge: Cambridge University Press, 2000).

Eco, Umberto. Storia Della Bellezza. trans. Aryeh Uriel (Or Yehuda, Israel: Kinneret, Zmora-Bitan, Dvir-Publishing House Ltd., 2010).

Fortini-Brown, Patricia. Art and Life in Renaissance Venice. (New York: Harry N. Abrams, Inc., 1997)

Fortini-Brown, Patricia. Private Lives in Renaissance Venice. (New Haven: Yale University Press, 2004)

Franco, Veronica. Poems and Selected Letters. ed. and trans. Ann Rosalind Jones and Margaret F. Rosenthal. (Chicago: University of Chicago Press, 1998)

Goffen, Rona. Titian’s Women. (New Haven, CT: Yale University Press, 1997)

Gould, Cecil. “Titian” in Dictionary of Art. ed. Jane Turner. London: Macmillan  Publishing Limited, 1996. vol. 31  

Gregori, Mina, Antonio Paolucci, and Marco Chiarini.Paintings in the Uffizi and Pitti Galleries. (Boston, MA: Little,Brown and Co., 1994).

Junkerman, Anne Christine. Bellissima Donna: An Interdisciplinary Study of Venetian Sensous Half-Length Images of the Early Sixteenth-Century. (Ann Arbor, MI: UMI Dissertation Services, 1988)

McIver, Katherine. “Daddy’s Little Girl: Patrilineal Anxiety in Two Portraits of a Renaissance Daughter” in Women and Portraits in Early Modern Europe. ed. Andrea Pearson. (Burlington, VT: Ashgate Publishing Company, 2008).

Newton, Stella Mary.  The Dress of the Venetians in Pasold Studies in Textile History.  (Brookfield: Gower Publishing Company, 1988), vol. 7.

Nunn, Joan. Fashion in Costume 1200-2000. (Chicago: New Amsterdam Books, 2000)

Peacock, John. The Chronicle of Western Fashion: From Ancient Times to the Present Day. (New York: H.H. Abrams, 1991).

Pedrocco, Filippo. Titian. trans. Corrado Federici  (New York: Rizzoli International Publications, Inc., 2001).

Pope-Hennessy, John. The Portrait in the Renaissance. (New York: Bollingen Foundation, 1966)

Rogers, Mary. “Fashioning Identities for the Renaissance Courtesan” in Fashioning Identities in Renaissance Art. ed. Mary Rogers. (Burlington, VT: Ashgate Publishing Company, 2000).

Shepherd, Rupert. “Art and Life in Renaissance Italy: a blurring of identities” in Fashioning Identities in Renaissance Art. ed. Mary Rogers. (Burlington, VT: Ashgate Publishing Company, 2000).

Smith Abbott, Katherine R. “Sons of the Truth, Lovers of Virtue”: Painting the Patrician in Renaissance Venice." in Visual Resources: An International Journal of Documentation.vol. 28 no. 1 (2012): 43-57

Vasari, Giorgio. The Lives of the Artists. trans. Julia Conaway Bondanella and Peter Bondanella  (Oxford: Oxford University Press, 2008).

Whistler, Catherine. "Uncovering Beauty: Titian’s Triumph of Love in the Vendramin Collection." in Renaissance Studies. vol. 26 no. 2 (2012): 218-242.

Williams, Allyson Burgess. “Rewriting Lucrezia Borgia: Propriety, Magnificence, and Piety in Portraits of a Renaissance Duchess” in Wives, Widows, Mistresses and Nuns in Early Modern Italy. ed. Katherine A. McIver. (Burlington: Ashgate Publishing Company, 2012).